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To be perfectly dispassionate about the whole thing, the sex on display is both heavily dramatized and highly eroticized. Is it groundbreaking cinema anyway? Of course. But to be fair, what 16-year-old (homosexual or otherwise) can sex it up like an experienced adult? Is Blue the watershed, Brokeback Mountain moment lesbian cinephiles have been waiting for? Probably not. Allegedly these actresses don’t make love like real lesbians. Does that disqualify him from attempting to document this kind of story? According to Maroh and several other outspoken lesbian critics, yes. And the director is both heterosexual and male. On the other hand, both lead actresses are admittedly heterosexual. Kechiche has done a lovely and quite mesmerizing job of examining the intersection of love and sex. On the one hand, it’s remarkable to see such an unflinching look at non-hetero intercourse on screen. It’s for those graphic and (clearly) unsimulated sex acts that Blue has caught the most attention-both positive and negative. Of course, since Blue Is the Warmest Color runs for a 175 minutes, it’s a mere blip on the radar. That’s pretty damn long (for a movie, anyway). One intense lovemaking session goes on for an unedited 8 or 9 minutes. The sex here is blunt, unexpurgated and decidedly NC-17. This is, as it turns out, the crux of Kechiche’s film. The two fall into bed and have the sort of Earth-shattering sex you don’t often see portrayed in movies.
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For whatever biological or emotional reason, Emma provides Adèle what she’s been missing. Or possibly because she’s been masturbating to the image of that tough, blue-haired chick who eyeballed her on the street a couple weeks back.Įventually Adèle ventures out to a gay bar with her homosexual BFF and ends up crossing paths once again with neon-tressed Emma (Léa Seydoux from Inglourious Basterds and Mission: Impossible-Ghost Protocol), a bold art school student. Possibly because Adèle is an insecure teenager unsure of who she is and what she wants out of life. Though she loses her virginity to Thomas, the relationship doesn’t really work out. Goaded as much by her adventurous pals as by her own curiosity, she starts dating Thomas (Jérémie Laheurte), a handsome senior. Adèle is a seemingly average, pretty, slightly bookish student with an unremarkable family and a circle of chatty friends.
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The film concentrates on Adèle (relative newcomer Adèle Exarchopoulos), a high school junior living in the blue-collar, northern French city of Lille. So, depending on which way the wind blows, the film is either brilliant and groundbreaking or false and perverted. Oh, and it was awarded the Palm d’Or at the Cannes Film Festival by an esteemed jury that included Steven Spielberg, Christoph Waltz, Ang Lee and Nicole Kidman. The author of the original text, Julie Maroh, called the film’s depiction of lesbian intercourse unconvincing and pornographic. The film’s lead actresses (Léa Seydoux, Adèle Exarchopoulos) turned in a couple of virtuoso performances and then turned around and slammed the director at the Telluride Film Festival for being manipulative and insensitive. That graphic novel has been turned into a three-hour explosion of sex, sadness, excitement, anger, expectation and dashed hopes by Tunisian-born, French-raised director Abdellatif Kechiche ( The Secret of the Grain, Black Venus). This unabashed look at homosexual teenage love and lust is based on an award-winning French comic book. The romantic teenage drama Blue Is the Warmest Color is notable for a number of reasons.